A rainy day in New York by Woody Allen on Rai 3

Cast and characters

Timothée Chalamet: Gatsby Welles
Elle Fanning: Ashleigh Enright
Selena Gomez: Chan Tyrell
Rebecca Hall: Connie Davidoff
Cherry Jones: Mrs. Welles
Jude Law: Ted Davidoff
Diego Luna: Francisco Vega
Liev Schreiber: Roland Pollard
Kelly Rohrbach: Terry Ford
Will Rogers: Hunter Welles
Suki Waterhouse: Tiffany

Italian voice actors

Alex Polidori: Gatsby Welles
Emanuela Ionica: Ashleigh Enright
Erica Necci: Chan Tyrell
Ludovica Modugno: Mrs. Welles
Claudia Catani: Connie Davidoff
Riccardo Niseem Onorato: Ted Davidoff
Jacopo Venturiero: Francisco Vega
Pino I teach: Roland Pollard
Joy Saltarelli: Terry
Edoardo Stoppacciaro: Hunter Welles
Chiara Gioncardi: Tiffany

The plot

Woody Allen returns to Manhattan with A rainy day in New York, a romantic comedy about two college sweethearts, Gatsby (Timothée Chalamet) and Ashleigh (Elle Fanning), whose plans for a romantic weekend together in New York go up in smoke as soon as they set foot in town. The two, since their arrival in New York, find themselves separated and encounter a series of casual encounters and bizarre adventures, each on their own.


  • The romantic comedy was originally slated for release in 2018, but was archived by Amazon following allegations of sexual harassment against the director. Just to add controversy to controversy, a passage in the film’s plot tells of a relationship between a sixteen-year-old (Elle Fanning) and a mature man (Jude Law), an episode that could have evoked the accusations made against the director, at this point Amazon has made the decision to terminate the contract with Allen which included four films. In contrast, Allen sued Amazon for $ 68 million, as all charges against him have been dropped by the authorities.
  • With this film “shelved” due to controversy and not released as originally planned, 2018 marks the first time since 1981 that Woody Allen has not had a feature film in theaters. In fact, since his directorial debut in “Get The Money And Run” (1969), Allen has written and directed a feature film in every single year thereafter except 1970, 1974, 1976, 1981 and now 2018. So, in the United States last 50 years, there have only been 5 years in total that the world hasn’t seen a Woody Allen movie released in theaters.
  • At the end of the film Gatsby quotes two sentences: “The roaring traffic’s boom. Silence in my lonely room “. Ashleigh says she knows them and that they are Shakespeare’s. In fact it is from the song “Night and Day” by Cole Porter.
  • The film benefits from the photography of Vittorio Storaro, Oscar winner for Apocalypse Now, Reds And The last emperorand received a fourth nomination for Dick Tracy. “A Rainy Day in New York” is his third collaboration with Woody Allen since The wheel of wonders And Café Society.
  • Timothée Chalamet’s maternal grandfather Harold Flender wrote for Sid Caesar in the 1950s, along with Woody Allen. When Allen later cast Timothée in the film, he was initially unaware of the family relationship.
  • Woody Allen states in his memoirs “About Nothing” (2020) that the real reason Timothée Chalamet donated his salary from the film was that “he needed to do it because he was in the running for an Oscar for Call Me By Your Name,” and he and his agent felt they had a better chance of winning if he disassociated himself from me ”.
  • This is Woody Allen’s 48th feature film as a director, which includes his television movie Don’t Drink the Water (1994).
  • Timothée Chalamet announced on Instagram that he will donate the entire salary of his work on this film to charities: the New York LGBT Center, Time’s Up and RAINN, an organization against sexual violence.
  • Well known for making films in New York and being associated with the city, apart from ‘New York Stories’ (1989) where he directed the’ Oedipus Wreck ‘segment, and the TV movie’ The Concert for New York City (2001), where he also directed a segment, surprisingly, this is the first real feature film directed by Woody Allen with the words “New York” featured in the title. However, Woody Allen has made numerous films with parts of New York in the title. These are: “Manhattan” (1979), “Bullets on Broadway” (1994), “Mysterious Murder in Manhattan” (1993) and “Broadway Danny Rose” (1983) – with “Manhattan” and “Broadway” used twice in Woody Allen feature film titles.
  • With Vicky Cristina Barcelona (2008), this is the second time Rebecca Hall has starred in a film written and directed by Woody Allen.
  • Rebecca Hall donated this film’s entire salary to the Time’s Up movement after reconsidering the sexual assault allegations against the director in the wake of the Harvey Weinstein scandal.
  • As is sometimes the case in recent years, the central character (in this case Gatsby) narrates the film by deliberately mimicking Woody Allen’s distinctive cadence.
  • The film marks the debut of Catherine LeFrere.
  • There are two actors with the same names as the classic (and long dead) actors: Will Rogers and Rory Calhoun.
  • Gatsby’s cell phone could not connect to the outside world from inside the Temple of Dendur at the Metropolitan Museum of Art, with its five-foot-thick stone walls.

Production notes

To underline the fact that the protagonists of the film find it difficult to be recognized for what they are, on the visual level their faces are often obscured, in shadow. An example is when the car window in the location where the film is being shot shows a reflection of what is outside, rather than Gatsby and Chan sitting inside the car. “In cinema, you don’t have to show everything clearly, always,” says director of photography Vittorio Storaro, who has previously collaborated with Allen on Café Society and The Wheel of Wonders. “Most of the time it can be more effective for the characters to be behind something, or only partially visible. We need to create different moments in order to keep the public’s attention high “. Storaro used different lights and different camera movements to emphasize the differences in Gatsby and Ashleigh’s personalities. “Gatsby loves New York with overcast skies or, even better, with a little rain,” says Storaro. “Ashleigh is cheerful and passionate, so I used warmer colors with her.” Even when Gatsby and Ashleigh are together, Storaro has found variations. “He It doesn’t rain the same way all day,” he says. “Sometimes the wind moves the clouds and the sun peeks out, only to disappear again later. I took advantage of things that happen by chance. During filming, when Gatsby calls Ashleigh under the clouds he loves, a warm beam of light appeared where she was standing. ” Also, for Ashleigh Storaro he used a Steadicam for shooting on the go, while for Gatsby a stable camera. “We used the Steadicam to emphasize Ashleigh’s need for freedom of movement,” he says. “She is more open-minded and ready to embark on new experiences, while Gatsby tries to surround himself with simple things.”

Just like New York, rain plays a central role in the film. “We wanted the rain to symbolize romance and love,” says Allen. “New York is gorgeous on gray, foggy or even rainy days. It acquires a soft light and the streets become shiny and clean ”. The rain also suggests the different way Gatsby and Ashleigh view life. “Ashleigh thinks the rain is sad, while Gatsby finds it romantic,” says Allen. The places Gatsby and Ashleigh visit also show the contrast of their personalities, as well as the experiences they have over the time they spend in New York.

Gatsby and Ashley arrive in New York on a Saturday morning with the intention of leaving the next morning. Because Gatsby has everything planned down to the minute, we always know what time it is, and how things are getting out of his control. Time is one of the important themes of the film and it is no coincidence that a clock appears often in the story. “Gatsby has everything planned so that we have a nice weekend with Ashleigh, but that’s not how things are,” explains Allen. “As Gatsby says: ‘the city has a plan of its own.’ Time is always against you. You can try to control it, or manipulate it a bit, but you have to give up in the end. From the moment the protagonists kiss under the clock at the end of the film, time begins to advance their relationship, and that relationship can last a year, two, ten, twenty or a lifetime. But in any case it will go on in time, like all things in life ”.

The soundtrack

  • The film’s soundtrack includes songs by Erroll Garner, American jazz pianist and composer known for his swing playing and ballads. His best known composition, the instrumental ballad “Misty”, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra and played a leading role in the film. Thrill in the night by Clint Eastwood. He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd. His he live album, Concert by the Seafirst published in 1955, sold over a million copies in 1958.

The songs included in the film:

1. I Got Lucky in the Rain – Bing Crosby
2. The Best Things in Life Are Free – Erroll Garner
3. Will You Still Be Mine? – Erroll Garner
4. I’ve Got the World on a String by Erroll Garner
5. Red Sails in the Sunset – Erroll Garner
6. Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro Scherzando by Sergei Rachmaninoff played by Svetlana Navasardian, Gennadi Provatorov and the Moscow Filamornica Orchestra.
7. Time to Heal – Christopher Lennertz
8. Everything Happens to Me – Conal Fowkes
9. Undecided – Erroll Garner
10. Everything Happens to Me – Conal Fowkes (piano) & Timothée Chalamet (vocals)
11. That’s My Kick – Erroll Garner
12 Misty – Erroll Garner
13. They Say It’s Wonderful – Conal Fowkes
14. Gigi – Conal Fowkes
15. New York Nights – Barrie Gledden, Steve Dymond & Jason Pedder
16. Just Let It Go – Terrence Shawn Kelly
17. Bye Bye Baby – Conal Fowkes
18. Sing a Song of Sixpence – Michael Scales
19. Everything Happens to Me – Conal Fowkes Trio

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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