Cannes, the Quinzaine is a woman: authors and divas, from Léa Seydoux to Adèle Exarchopoulos

If at the official selection of the Cannes Film Festival the presence of three authors out of eighteen films in competition aroused some comments, the situation is completely different in Directors’ Fortnight 2022. After the announcement of the opening film, The envolfrom Pietro Marcellothe general delegate Paolo Moretti announced the bill and in the rest of the selection of the 54th edition, the last one directed by him, there is a large group of authors and actresses.

Cannes, Pietro Marcello opens the Quinzaine with ‘L’Envol’, a folk tale with poetic realism

Among the 23 selected titles there is Les cinq diables from Léa Mysiuswith Adele Echarchopoulos tells of a girl who lives with her mother and father, a man who still struggles to find his place in the world. When Aunt Julia arrives after being released from prison, her presence brings the past back to the surface in a violent yet magical way. 1976from Manuela Martelliis set in that period in Chile, three years after the bloody dictatorship of Augusto Pinochet. IS centered on a 50-year-old who has a nice family, a house with a yard, a dog, a maid and severe insomnia fighting with pills. Her bourgeois life is interrupted when the priest of the Italian church, where she carries out charitable activities, asks her to take care of a young revolutionary, a man she is giving asylum to, who has just been wounded.

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A beau matinfrom Mia Hansen-Lorvewith Léa Seydoux, tells the story revolves around a young mother who is raising her eight-year-old daughter alone in a small Parisian apartment and whose father suffers from a neurodegenerative disease. As she struggles through the labyrinthine process of securing adequate care and a decent nursing home for him, she meets an old friend, with whom a passionate relationship arises. God’s creatures from Saela Davis And Anna Rose Holmer is a psychological drama set in a rain-soaked Irish fishing village and focuses on a mother lying to protect her son and the devastating impact that choice has on her community, family and herself. In the cast there are Emily Watson, Paul Mescal And Aisling Franciosi.

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Special screening of horror Men from Alex Garlandstarring Jessie Buckley. After the death of her ex-husband, one of her goes on vacation alone in the English countryside. However, someone or something from the surrounding woods seems to haunt her: but what appears to be just a nightmare soon begins to become real, emerging from her memories and her darkest fears. The closing film is The parfum vert from Nicolas Pariser: in the middle of a performance and in front of an astonished audience, an actor from the comédie-française is murdered with poison. Martin, one of the actors in the comedy and direct witness to the murder, is soon suspected by the police and pursued by the mysterious organization that ordered the crime. With the help of graphic novel artist Claire, Martin will try to solve the mystery of this violent death during a very eventful journey through Europe.

The envol by Pietro Marcello (Opening film)
1976 by Manuela Martelli
El agua by Elena López Riera
The Dam by Ali Cherri
Les années super 8 by Annie Ernaux, David Ernaux-Briot
Ashkal by Youssef Chebbi
Les Cinq diables by Léa Mysius
De humani corpopris fabrica by Véréna Paravel, Lucien Castaing-Taylor
La Dérive des continents (au sud) by Lionel Baier
Enys Men by Mark Jenkin
Falcon Lake by Charlotte Le Bon
Fogo-fátuo by João Pedro Rodrigues
Funny Pages by Owen Kline
God’s Creatures by Anna Rose Holmer, Saela Davis
Les harkis by Philippe Faucon
The mountains by Thomas Salvador
Pamfir by Dmytro Sukholytkyy-Sobchuk
Revoir Paris by Alice Winocour
Under the Fig Trees by Erige Sehiri
A beau matin by Mia Hansen-Løve
A varón by Fabian Hernández
Men by Alex Garland (Special Screening)
The Parfum vert by Nicolas Pariser (Closing film)

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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