Chanel shows in Paris, her muse is Kristen Stewart – Fashion

The Californian actress Kristen Stewart incarna the pret-à-porter spring-summer 2023 collection designed by Virginie Viard who showed in Paris on the last day of the French fashion week. A collection, the one presented in the Grand Palais Ephemere, which seems to have been cut in the style of the diva, on a cinematographic background, with images from the film “Last Year in Marienbad” (1961) by Alain Resnais. Exploring a woman’s freedom of movement, Viard imagines a collage of glamor, swirling with modernity and lightness. Symbols of femininity such as pearls, sequins, bows and feathers, rest on silk chiffon, polka dots and houndstooth tweed. Sensuality abounds in the changing proportions of softness, texture and precious ornamentation. The mystery pervades the intangible echoes of Gabrielle Chanel, performed with an innately modern hand. Already in a short video and photograph by the duo Inez & Vinoodh, presented a few days after the fashion show, the muse of the maison, of which she is also an ambassador, emerges from Le Champo, an iconic Parisian arthouse cinema, after the screening of Last Year in Marienbad. The heroine of thriller (Panic room) and successful horror (Into the wild) consecrated by the Twiligth series, she wears a jersey top embellished with an oversized bow and a long pleated tulle skirt and embroidery. The first taste of a series of garments designed by the creative director of the maison Virginie Viard, thinking about the personality and charisma of the actress. The video shot in Paris includes six scenes in which Kristen reveals six silhouettes imagined by Viard, a prelude to the collection on the platform.
At the window of Gabrielle Chanel’s apartment, the actress is in a long white lace dress with sequins. In the Passage d’Enfer and in a brasserie she wears long dresses in black or gold lamé. In the Paris metro she wears a black crepe dress embellished with feathers and, on the mirrored staircase at 31 rue Cambon, a white tweed jacket. Finally, she is seen outside the arthouse cinema Le Champo, at the end of the screening of Last year a Marienbad by Alain Resnais (1961), an avant-garde film and masterpiece of the Nouvelle Vague. A film full of narratives, an artistic revolution guided by a sophisticated allure, developed by Gabrielle Chanel around the idea, central to her, of the freedom of movement of the clothes on stage. “The films we have seen, the ones that own us and those we invent for ourselves, Marienbad, the Nouvelle Vague, the allure according to Gabrielle Chanel, Karl, the night, feathers, sequins, heels: I like it when things get confused “, observes Virginie Viard.
Here then is the parade on the platform bows, boas, boots with rhinestones, scaled jersey, white sequined jacket, deconstructed, prints, pastel tweed; gold dress in velvet cloth, little black dress with side slit, which runs on the body; garments in lace, like a flower, or in light chiffon to play see-no-see on the legs and on the neckline, jackets in classic bouclé animated by light feathers, soft trouser suits with shaped jackets, shorts and miniskirts, lace stockings and shoes in the timeless Mary Jane model. A collage of tradition and modernity imagined by Virginie Viard as a free walk through fragments. A story that exposes an imaginary world confronted with itself, proposing variations on the theme of charm. Kristen Stewart is the most faithful incarnation of her. “Whether it’s her or the other women I dress – concludes Viard – I need to feel that they still like my clothes. But of the people around me, Kristen is the closest to Gabrielle Chanel, at least to my idea of ​​her. She understands Chanel, her clothes. And with her everything becomes even more modern. This collection is her too. “

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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