Crimes of the future – review of Cronenberg’s return

crimes of the future

Disturbing, aesthetically and psychologically, complex yet very simple.
David Cronenberg is back with Crimes of the future and we couldn’t wait to go back with him.

In the not too distant future the world is now in perpetual decay due to pollution. The human being is trying to evolve spontaneously to adapt to the new world, but generating conditions never seen before, above all the total absence of pain, a fundamental indicator for the human body.

The strangest phenomenon, however, is the birth, in some people, of new organs within the human body. “Original” organs to the point of being able to become the object of avant-garde artistic performances that combine surgery with creation, in a sort of natural and artificial birth together, with a live audience ready to celebrate the new spontaneous creation of the organism. artist.

The artist creates, directly, as if natural inspiration were the only necessary source but in reality, Cronenberg explains to us implicitly, it is the context that changes around the artist that forces him to evolve, to transform himself, to go beyond.

Crimes of the future is a subtle film in dealing with its themes as much as it is direct and explicit in representing them. A return to origins for David Cronenberg not only for the issues dealt with but also because the name of the film corresponds in a “curious” way to his second feature film which had as its themes the adaptation to a post apocalyptic world (in that case post pandemic !) and who saw staged parodies of childbirth of self-generated organs by some men.

Representing the ideas and concepts that swirl in Cronenberg’s mind on stage we find an always fantastic Viggo Mortensen, perfectly accompanied by Lea Seydoux and Kristen Stewart.
Mortensen acts with the body, with facial expressions of pain and ecstasy, the actors catapulted into a cold and almost apathetic world express themselves masterfully with mimicry rather than words, in an erotic and suffering game that alternates on the screen. .

Social criticism, the revolution of bodies over man, the affirmation of nature in the most unexpected but most logical and natural way. Crimes of the future is all this but with an elegant style and a slow pace.
An intense but cryptic film that confuses the viewer while leaving him with something new inside.

Find Crimes of the future in theaters and you can therefore take advantage of the Cinema in Festa this week to see it for only € 3.50!

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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