Kevin Mazur / MG22Getty Images
Although the theme of2022 edition of the Met Gala it were Gilded Glamora style tribute to the golden age of American history, on the red carpet of the vernissage of the Metropolitan Museum of New York’s Costume Institute exhibition entitled In America: An Anthology of Fashion, Blake Lively has chosen to tell the splendor of the late nineteenth century on the red carpet through thearchitecture. Accompanied by her husband Ryan Reynolds, together with her co-hosts of this year’s event, the American actress showed off a wonderful quick change dress inspired by Art Deco and the details of some of New York’s most famous landmarks.
Signed by Atelier Versacethe sparkling long dress wrapped in an oversized satin bow has in fact opened on the steps of the Met to reveal a long blue skirt embellished with a shower of copper flashes: a tribute made decoration to the Statue of Liberty. Undoing, the generous knot tightened to the waist of the actress thus showed a second look in verdigris to tell the slow metamorphosis, from bronze to oxidized green, of the famous work of the French sculptor Frédéric Auguste Bartholdt of Liberty Island. But not only: if the large train in duchesse, embellished with a hand-painted celestial map, mentions the 12 constellations of the zodiac that decorate the ceiling of Grand Central Station, the all-rhinestone bodice incorporates the inlays and reflections typical of Art Deco and, in particular, the facets ofEmpire State Building. While, as we read in one of the Italian maison’s Instagram posts, “the original shape of the dress is inspired by American designer Charles James“.
In the head, with a regal way, the red carpet star then exhibited a meticulous seven-pointed diadem, another reference to the seven continents symbolized by Lady Liberty’s crown, representation, as Blake Lively explained to LaLa Anthony during the live stream of Vogue, of “inclusiveness, hospitality and freedom”. The actress then asked the jewelry designer Lorraine Schwartz to insert 25 stones along the elegant headdress, to remember the same number of windows that recur in circles at the top of the monument-icon of the Big Apple. “This year has been particularly challenging to play the role of host,” said Blake Lively. “I thought look at the city I love so much and the architecture could have returned a clear perspective on the subject“Rather than just (and always only) fashion.
This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. You may be able to find more information about this and similar content at piano.io