Sony FX-30: the Cinema Line camera in APS-C version

The Sony mirrorless Over the years they have built a solid reputation in the video field and have replaced film cameras in various fields of use. Hybrid products, born for photography and adapted to video shooting, however, show some limitations in the most specialized contexts and for some time now many manufacturers have been offering mirrorless systems expressly and almost exclusively dedicated to recording movies.

[HWUVIDEO=”3292″]Sony FX-30: the Cinema Line camera in APS-C version[/HWUVIDEO]

Sony Cinema Line FX

Sony’s Cinema Line FX series fully embraces this philosophy and, although it is based on the same Sony Alpha mirrorless E-mount bayonethas characteristics that bring it very close to professional video cameras, placing it in continuity with products such as Sony VENICE film cameras.

Sony FX-30

Now the FX series is expanding downwards, with a much more accessible product, which wants to represent the entry step into the world of Sony cameras. Sony today presents the new FX-30, which incorporates all the features of its sister FX-3, but declines them using a sensor in APS-C formattherefore able to shoot videos in Super 35mm. The camera records over the entire sensor surface in 6K oversampling up to 60p, while for the At 4K 120p there is a 1.6x crop. Compared to other cameras in the series, Sony FX-30 also allows you to take photographs at 26 megapixels.

The new Sony FX-30 also wants to represent a lighter system: the body weighs about 80 grams less than that of FX-3, but it is above all with the use of optics born for the reduced format that sees a net weight saving. The small camera uses a 26 megapixel back-illuminated BSI CMOS sensor mounted on system of 5-axis stabilization, which is capable of churning out 4K video up to 120p. There are no problems in prolonged video recording even in the heaviest formats, as the camcorder is equipped with a dissipation system and forced ventilation to avoid overheating.

Compared to the full frame versions FX-3 and FX-6, the ISO range is reduced to ISO 100-32,000 (versus ISO 80 / 320-409,600), but we find support Dual Base ISO, with 800 and 2,500 ISO steps and 14 stops of dynamic range. In terms of image we are in full continuity with the whole range, with registration 10-bit 4: 2: 2HLG, S-Log, S-Cinetone, possibility to use customized LUTs. On the HDMI output you can record 16-bit RAW videobut for the internal storage of even the heavier formats, the camcorder provides a dual CFexpress A / SD hybrid slot. The battery is the large capacity NP-FZ100 that equips the top of the range full frame mirrorless cameras.

On the body we find HDMI type A port, 3.5mm jack for headphones and external microphones, USB-C and MicroUSB port. Also scattered around the body we find several threaded holes for use with accessories in the field without the need for an external cage. Among the body optimizations designed for the video field, we find the recording lightsvery clearly visible: front, rear, on the REC button and with screen frame.

Sony FX-30 offers Sony-typical autofocus capabilities, with hybrid focusing and recognition of people, animals and birds, with Eye-AF. The interface with the camera is based on a 3.0 “Vari-Angle articulated touch display with 1.44 million points and on a large number of keys, all customizable, indicated with numbers, as used in the field. video.

Compared to FX-3 (launched at 4,700 euros in the list), the savings are substantial: Sony FX-30 is offered at the list price dthe 2,300 euros body only And 2,800 euros in the version with external handlewhich adds more attachment points with threaded holes, but above all three additional audio interfaces with separate controls, two XLRs and a 3.5mm jack.




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About Alex Marcell

He likes dogs, pizza and popcorn. Already a fanboy of Nintendo and Sony, but today throws anything. He has collaborated on sites and magazines such as GameBlast, Nintendo World, Hero and Portal Pop, but today is dedicated exclusively to Spark Chronicles.

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