If at the cinema the releases usually thin out during the summer period, even if in this month they will land in the title room of weight, the home video market never goes on vacation this July offers all fans of great cinema proposals for all tastes. Fans of the comic world can only rejoice at the arrival of Doctor Strange in the multiverse of madness, the new cult of the MCU signed by a very inspired Sam Raimi, but the next few weeks mark other important arrivals. From the intense Spencerstarring a stunning Kristen Stewart as Lady D., on the epic The Northman by Robert Eggers, from the Fracassona science fiction of Moonfall to the western atmospheres of Old Henryup to the necessary recovery of oriental cults such as I’m a cyborg but that’s ok of Park Chan-wook, the variety of proposals is such as to satisfy almost anyone.
Old Henry (July 6)
Henry is a calm-hearted middle-aged man who was prematurely widowed and continued to care for his land and son. One day at the door of his house is a mysterious injured man with a bag containing a huge amount of money. But men also arrive at his heels led by a sheriff who immediately orders the farmer to deliver them fugitive. The farmer will have to decide which side to take and who to trust.
Illuminated by the magnetic performance of the protagonist Tim Blake Nelson, Old Henry takes us back to the dusty atmospheres of the old west with a vintage touch that looks to the modern action contaminations of the genre, mindful of the glorious past of the frontier on the big screen.
Moonfall (July 6)
In Moonfall we will see the Moon that, pushed by a mysterious force, is thrown out of its orbit to head on a collision course with Earth. Within weeks of the fatal impact that will annihilate the world, former NASA astronaut and executive Jocinda ‘Jo’ Fowler has an idea to save the planet. However, no one believes her, aside from Brian Harper, a man from her past, and a likeable conspiracy theorist named KC Houseman. The three unlikely heroes will throw themselves into one desperate space mission leaving behind, perhaps forever, their dearest loved ones, to try to discover the incredible secret concerning the only “natural” satellite of the Earth.
The new catastrophic by specialist Roland Emmerichto which we owe such cult as Independence Day And Stargate, sees a trio of protagonists formed by Halle Berry, Patrick Wilson and John Bradley, on a mission to save the earth from destruction. You can read our Moonfall review here.
Spencer (July 13)
The marriage between Princess Diana and Prince Charles has long since turned into a cold and distant relationship. Although rumors of betrayals and a divorce are already circulating, the Christmas holidays at the Royal Sandringham House seal a truce. And time passes between dinners, drinks and hunting trips. Diana knows the game, but this year things are going to be completely different. Spencer is a fictional reconstruction of what may have happened during those fateful days.
An extraordinary Kristen Stewart, also nominated for an Academy Award for Best Actress, stars in this fascinating biopic directed by Pablo Larraín that after Jackie (2016), returns to investigate the private life of a tormented woman who changed the lives of many and marked an era. Here is our Spencer review.
The Northman (July 14)
From visionary director Robert Eggers comes The Northman, an action-packed epic title which follows the story of a young Viking prince seeking revenge for the murder of his father. Set in 10th century Iceland, The Northman will allow us to witness Hamlet’s journey (Alexander Skarsgard), who left in search of his father’s killer and his mother’s kidnapper: it is a rather well-known story belonging to Scandinavian romanticism, then adapted by Shakespeare in the famous work that takes its title from the name of its protagonist.
The new film by the author of the celebrated The Witch And The Lighthouse guarantees a series of strong emotions – as we wrote in our review of The Northman – with the epic typical of Norse traditions that explodes in all its primordial furywith a cast of the greatest bargains and a landscaped stage of ecstatic beauty.
Firestarter (July 14)
A girl with extraordinary pyrokinetic powers fights to protect his family and itself by sinister forces that seek to capture and control it. For more than a decade, parents Andy (Zac Efron) and Vicky (Sydney Lemmon) have fled, desperately trying to hide their daughter Charlie (Ryan Kiera Armstrong) from a shadowy federal agency that wants to use her unprecedented gift to transform fire in a weapon of mass destruction. Andy taught Charlie how to defuse her power, which is triggered by anger or pain. But when Charlie turns 11, the fire becomes harder and harder to control.
Directed by Keith Thomas (The Vigil – He won’t let you go), from a screenplay by Scott Teems (Halloween Kills), the film based on the Stephen King novel it divided the American critics but convinced our editorial team, as you can read in the Firestarter review.
C’mon C’mon (July 20)
After Joker, Oscar winner Joaquin Phoenix returns to the big screen with a profound and emotional film. Johnny is a radio producer who travels from town to town interviewing children about their hopes and dreams. One day he is called by her sister Viv, who hasn’t heard from him for a long time, to help her with her 9-year-old son Jesse while she has to take care of her husband with bipolar disorder.
Unaccustomed to handling children, Johnny decides to take his grandson with him on business, from New York to the suburbs of the southern states. Thanks to this journey and the comparison with everyday reality, the two will establish a deep bond and unexpected, capable of changing them forever. For everything else there is our review of C’mon C’mon.
Doctor Strange in the multiverse of madness (July 26)
In Doctor Strange in Marvel Studios’ Multiverse of Madness, the MCU opens up the Multiverse and pushes its boundaries further than it ever has in the past. Journey into the unknown with Doctor Strange, who, with the help of old and new mystical allies, traverses the complex and dangerous alternate realities of the Multiverse to face a mysterious new adversary. The film is directed by Sam Raimi and Kevin Feige is the producer. Louis D’Esposito, Victoria Alonso, Eric Hauserman Carrol and Jamie Christopher are executive producers. The screenplay is by Michael Waldron.
The cast, as always, is made up of big names, including obvious confirmations, welcome returns and guest-stars always ready to amaze given the “multiversic” reality already developed with the previous one Spider-Man: No way home. Here then among the many: Benedict Cumberbatch, Elizabeth Olsen, Benedict Wong, Rachel McAdams, Chiwetel Ejiofor and Xochitl Gomez. You can read our review of Doctor Strange in the multiverse of madness here.
The Lost City (July 28)
Loretta Sage (Sandra Bullock), a successful lonely writer, has spent her career writing popular romance and adventure novels set in exotic locations. The protagonist of her stories is the beautiful cover model Alan (Channing Tatum), who in the pages of these books embodies the hero “Dash”. While she’s on tour promoting her new book with Alan, Loretta is kidnapped by an eccentric billionaire (Daniel Radcliffe) convinced that she can lead him to the treasure of the ancient lost city, described so well in his novel.
Alan, driven by the desire to show everyone that he can be a hero even in real life, sets out on a journey to save her. Involved in an epic jungle adventure, the unlikely couple will be forced to get along in order to survive, but most of all to find the ancient treasure before it’s too late.
I’m a cyborg but that’s ok (July 28)
One day, at work, the young Young-goon (Su-jeong Lim) cuts her veins and inserts electrical cables into the wound. She is admitted to an asylum since in fact, since she was a child she believed to be a cyborg and talk to electronic devices. Inside the hospital she meets several characters with the most disparate behaviors, but the encounter that most influences the girl’s life is the one with Park Il-sun (Jeong Ji Hoon), a mysterious young man who claims he can steal people’s souls.
I’m a cyborg, but that’s ok is an irresistible film, impossible to categorizewhich sublimates the style of Park Chan-wook, full of always new solutions and able to amaze the eye of the beholder, captivated and captivated by an uncompromising cinema that between pulp and pop always tells original and exciting stories.