Venice 2022: Walter Hill awarded with the Cartier Glory To The Filmmaker

Sara Walter Hill to receive the award Cartier Glory to The Filmmakerassigned to a personality who has marked contemporary cinema in a particularly original way, a Venice 2022.
The appointment is for Tuesday 6 September at 9.45 pm, before the Out of Competition screening of his film Dead For a Dollar.

The 79th Venice International Film Festival will take place from August 31 to September 10 and director Walter Hill will present the world premiere of his new film starring Christoph Waltz, Willem Dafoe, Rachel Brosnahan and Benjamin Bratt.

In accepting the award, the filmmaker said: “In the world of cinema, it is well known that it is a great honor to be invited with a special screening at the Venice Film Festival. With my new movie, Dead for a Dollar, it’s the fourth time I’ve had this luck, and today this award makes me even more grateful. Thanks to Alberto Barbera, Giulia D’Agnolo Vallan, Cartier and the entire cinema community who have supported and encouraged me so much over the years. Thanks to all of you, you made an elder happy“.
The Director of the Exhibition Alberto Barbera instead added: “Inside and outside tradition, Walter Hill constantly redraws the boundaries of the genre that constitute the horizon in which his cinema identifies itself, if only to transcend conventions in the constant search for a constructive relationship with the past of the American myth. inherited from classical cinema and, on the other hand, from an authentic ethical and formal modernity. Whether it is measured against westerns and thrillers, horror films, war films or detective stories, Hill does not give up on making it an opportunity to build formal and narrative geometries that aspire both to narrate contemporaneity through gender stereotypes, and to propose an ethical point of view that disregards and goes beyond the traditional dividing line between good and evil. Author in the full sense of the term, Walter Hill does not hesitate to recognize himself in the figure of the action film specialist in which violence is subjected to different degrees of stylization, and the search for unpublished visual effects is pursued with constant experimentation in use of the possibilities offered by the cinematographic language“.

Arnaud Carrez, Chief Marketing Officer of Cartier, finally underlined: “For the second edition of the Cartier Glory to the Filmmaker award, Cartier has the honor of joining the Venice Film Festival in recognizing Walter Hill’s extraordinary work, talent and particularly original contribution to contemporary cinema. He has enriched the world of cinema with his productions since the 1970s, and has unequivocally become a pillar of contemporary artistic creativity.“.

Dead For A Dollar, set in 1897, follows veteran bounty hunter Max Borlund (Christoph Waltz) deep into Mexico, where he meets pro player and outlaw Joe Cribbens (Willem Dafoe) – his sworn enemy Max sent to prison for years. Before. Borlund is on a mission to find and bring home Rachel Kidd (Rachel Brosnahan), the wife of a wealthy Santa Fe businessman who has been taken hostage. When he discovers that the woman has escaped from a forced marriage, Max is faced with a choice: finish the dishonest job he was hired for, or step aside as ruthless mercenaries and his ancient rival draw closer … Max and his partner Alonzo Poe (Warren Burke) have nothing to gain if they resist – nothing but honor.

Throughout his prestigious career, Walter Hill has been a screenwriter, director and producer of projects ranging from classic westerns to action thrillers to noir dramas, all marked by his unique visceral style. A veteran director of more than twenty films, he also made a successful foray into television, earning both Emmy and DGA Awards in 2005 for the revolutionary neo-western Deadwood. His work generally ranges from intimate character studies to full-blown blockbusters, and he has been praised by critics for following both of these styles. Walter Hill’s career began in the early 1970s with the screenplay of Getaway !, with Steve McQueen and Ali MacGraw, and of Detective Harper: Water in the Throat, with Paul Newman and Joanne Woodward. In 1975 he made his directorial debut in The Hero of the Road, a drama set during the Depression era, starring Charles Bronson and James Coburn. From there, Hill chose a number of projects, both “cult” and “mainstream”. In 1979, Hill co-produced the sci-fi blockbuster Alien, starring Sigourney Weaver, and served as producer or executive producer on this legendary film series. Among other credits, Hill directed the blockbusters 48 Hours, and Still 48 Hours, both starring Eddie Murphy and Nick Nolte. With these films and others such as Night Warriors, Warriors of the Silent Swamp (with Keith Carradine and Powers Boothe), Still Alive (with Bruce Willis, Bruce Dern and Christopher Walken), and Johnny the Handsome (with Mickey Rourke and Morgan Freeman) ), he became one of Hollywood’s leading action directors. Hill began his exploration of the western in 1980 when he directed The Knights of Long Shadows, in competition at Cannes, starring David and Keith Carradine, James and Stacy Keach, Randy and Dennis Quaid, Chris and Nicholas Guest. This film marked the beginning of Walter Hill’s western trilogy, continued with Geronimo, with Jason Patric, Wes Studi and Gene Hackman, and concluded in 1995 with Wild Bill, starring Jeff Bridges, Ellen Barkin and John Hurt.
Hill’s other works include such titles as Streets of Fire, starring Michael Paré, Diane Lane and Willem Dafoe; The more you spend … the more you earn! with Richard Pryor and John Candy; Driver, the Untouchable, with Ryan O’Neal, Bruce Dern and Isabelle Adjani; Wanted: Officially Dead, starring Nick Nolte, Powers Boothe and Rip Torn; Jimmy Bobo – Bullet to the Head with Sylvester Stallone and Nemesi, with Michelle Rodriguez, Sigourney Weaver, Tony Shalhoub and Anthony LaPaglia. Hill also directed the acclaimed Emmy Award-winning TV film Broken Trail, receiving the DGA Award and his second Emmy for the work.

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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