Virtual communities and in the concept of file sharing in today’s pop culture

The culture of the internet and mp3 has amplified and undermined the idea of ​​a personal and secret knowledge. Today, thanks to a very low temporal, financial and physical effort, anyone can build a vast collection of music, films, videogames and literature, actually accessing the most hidden knowledge. Let’s see how what were considered the disincentives of the past (space constraints, economic means) have gradually disappeared, allowing an increasing number of users to become collectors of anything, at least in general and on a theoretical level. Let’s see how even those who initially resisted this modus vivendi have already started using the so-called file sharing for a decade. There were those who called this complex network of blogs sharity: a triple pun that is based precisely on share + charity + rarity, or “sharing”, “charity” and “rarity”. As we can easily guess, two of the three concepts have a positive meaning, while the central one is not strictly speaking. However, through the phenomenon of file sharing, which is not entirely legal and not entirely transparent, users discover the possibility of creating and potentially sharing their vast library of audiovisual content with the virtual world.

The ethics of file sharing is summed up in the concept of “finding the lost and dark gem”, the one that is the gem for collectors of music, cinema, books and games. Yet it must be said that the collector gets to use the web first of all, then file sharing, until he becomes an adept and transfers his knowledge and tastes on audio, video and multimedia content streaming platforms in general. We therefore move from an exclusive concept of “having something that no one else already has” to shuffling the cards towards a more communal and shared “let’s make it available to everyone”. There is one film in particular that shows this kind of structure, apart from Nick Hornby’s novels dedicated to music lovers and fanatics, which is called “Everything Can Change” with Mark Ruffalo and Keira Knightley. In the story, Knightley is a songwriter visiting New York City to follow her partner, but in the evolution of the plot the protagonist will lose her love, but finding the courage to produce and make her debut album. helped by Mark Ruffalo. In the finale, the two decide to release the album directly on digital music platforms for the symbolic cost of one dollar. Something that in some ways recalls an old battle waged by Tom Petty and The Heartbreakers, which already in the seventies, posed the problem of the excessive cost of their second LP. Rock cavalry, mythology of the States? Maybe, but in the concept of file sharing and virtual communities, there are still some rules that must be respected. This is claimed by Nick Hornby, who despite having had a vast success with audiences and critics, has always remained the same teacher of English literature with a passion for Bruce Springsteen and Elvis Costello, a man who in one of his books imagined what it could be the perfect soundtrack for your own funeral, so to speak. After all, the virtual communities and the musical and videogame ones above all, have their own ethics and moral code to carry on. For example, let’s think of everything that gravitates today around the theme of videogames and gaming, with many Youtube and channels where content creators share with their users, tips, tricks and suggestions to improve their game. reference. The communities present on the net, even if they do not have an exchange in real life, are able to form a group and exchange contents and information on the net. A little like what happened until recently among the professional gamblers of NetBet video poker, who exchanged opinions and opinions on the best gambling halls and casinos around the world. Something is changing for the liquid society, but there is a need to create bonds and build human relationships, on multiple levels. The world of the web has become a vast continent where users log in to share and exchange ideas, information and opinions on what interests them most.

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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