Cesare Cremonini and the 40 thousand of Euganeo: “Padua tonight you are my girl of the future”

Cesare Cremonini is the purest breed of artist: a creator. Not only of music, among very precise harmonies, hit melodies and chiseled lyrics like Fabergé eggsbut also of ideas, travels, emotions and, above all, of many, profound, memories.


Sold out

A song or a refrain, a verse engraved in the memory or the sequence of notes that form a musical intro become inseparable, inseparable from a memory, from a precise moment of one’s life, a clear flash (but sometimes of opposite light), a face or a smile, a tight hug, a liberating cry or, simply, from the purest joy. And of absolute joy, the one that makes the eyes shine like stars, Saturday night at the Euganeo in Padua there was really a lot of it. Over 40 thousand people sold out the Cremonini concert, girls and boys of all ages, families with children, a lot of young people but also those who, already at the time of Lùnapop, had ridden the “50 Special” and then traveled with Caesar through the streets of “Bagus” (2002), “Maggese” (2005)“The first kiss on the Moon” (2008), “The theory of colors” (2012), “Logico” (2014), “Possible scenarios” (2017) up to “The girl of the future” (2022).

New concept

When the tour was planned in 2019 it was supposed to tell the first twenty years of a stellar career, in-depth, gutted and described in detail in the mega collection “Cremonini 2C2C – The Best Of”. Then the black hole of the pandemic and, finally, the light of the live shows in 2022, lit by the new jewel “The girl of the future”, released in February. For this the live in Padua (as for the other stages of the tour that will close on 2 July with a very special date at the Imola racetrack) has evolved and transformed by designing a new concept which unites the three times of every life: past, present and future. A manifesto of intent perfectly explained already from the opening of the concert. At 21.10 precisely, after the recorded intro of “Cercando Camilla”, now the lucky charm of Cremonini’s tours, the first notes are de “The girl of the future”, Title track of the last album. Unleashed, jacket with gold sequins, fireworks and fountains of confetti, Cremonini is already on the platform that takes him for a walk on the heads of the audience, while the band plays behind him.

The time Machine

«Good evening Padua tonight you are my girl of the future, you are Padua, let me see your hands in the sky». And you take a time machine up to “PadreMadre” which comes directly from the solo debut “Bagus”, but pulled and colored with glam, it seems to come from the future. What you experience is not a concert which is just musical pleasure. It is a live that cannot ignore Cremonini’s skills as a performer, capable of holding a stage like few in the world, and of everything that can be perceived with the eyes. Starting from the stage. Sixty-five meters in front with an expanse of lights as high as a building, two side screens and, in the center, a huge door-screen that amplifies the idea of ​​being in a mammoth virtual theater. Of the twenty-four pieces of the lineup, chosen from a repertoire built only with long sellers destined to last over time (and not to burn out in a hot week of streaming), one could write a tome by Treccani. “The comedian (you know laughter)”, swing with a text between memory and tenderness, and 40 thousand who sing it with one voice. “The New Broadway Star” is a Scorsese-style sequence plan that also needs the sound of a piano to tell a love story that smells like black and white photography.

Bergamaschi photo
Bergamaschi photo

“Hello Padua”

The latest single, released in April, “Chimica” is danced with an enveloping bass to be fluid and embrace the sensuality of a summer in which we entered on equal footing. A synthetic and suspended “Hummingbird” of today and the very classic “Something great” who is already 23 years old but already has an authorial imprint. «It is the first time I play in this stadium and a small child’s dream comes true – confesses Cremonini – in middle school, when I was still writing songs in macaronic English and with friends we played in a room, at the end of each song I always said ‘Hello Padua! ‘. I wonder why. I have always known you, you are fantastic people and you have beautiful cities: if I hadn’t had your mountains I would have been in trouble, your Dolomites saved me ». Cremonini’s charisma as a charmer in the eyes, first-rate rock star, capable of embracing every dynamic of the show, from “piano pianissimo” to “forte fortissimo”to make the fans dance wildly on “Mondo” (complete with a virtual featuring by Jovanotti) or the iconic “50 Special” of lunapoppiana memory, as well as making all eyes bright in the most intimate moments, with a “Come to see why ”acoustic or the very delicate“ Jam # 25 ”, one of the most beautiful love songs of the last twenty years.

Grand finale

Lasers, fireworks, 3D visuals, sweat and smiles. An infinity of photographs remain in the eyes of the summer evening to be jealously guarded among new memories. There mobile platform that carries Cremonini, several times during the live, a breath from the outstretched hands of the audience passing over their heads. Halfway through the lineup, the tribute to Lucio Dalla, delicate and not obvious, with the virtual duet on “Stella di mare”, ten years after the death of the singer-songwriter. “Hello” performed with impetus, feeling and a certain courage on a piano (literally) in flames, a tribute to the “killer” of rock Jerry Lee Lewis. The harmony and complicity with a solid and precise band formed by the musical partner long-standing Nicola “Ballo” Crossbowmen on bass, from Gary Novak on drums, Bruno Zucchetti on keyboards, the Paduan Alessandro De Crescenzo on guitars and Davide Rossi on violin. A photo album in which each of the 40 thousand present can (and must) add their own shots of the heart. After two hours full of music, greeted by the best wish you can receive“Tomorrow will be a better day”, we go home with the awareness that even today was not so bad, and that many new memories, as precious as a summer dawn, have been added to the hope for the future .

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June 18, 2022 (change June 18, 2022 | 22:56)

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About David Martin

David Martin is the lead editor for Spark Chronicles. David has been working as a freelance journalist.

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