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According to recent rumors, Netflix would have discarded two completed films: House / Wife and The Inheritance. At the moment the two films are looking for a new home.
Netflix he is called upon to make important decisions and the one he recently made penalized two films that had already been completed. The streaming giant has archived two films: The Inheritance And House/Wife. The news was exclusively reported by The Hollywood Reporter, but it seems that at the moment Netflix has not released any official statements on the matter. Also for this reason it is not clear the reason that prompted the streaming giant to cancel two films that are actually ready.
The Inheritance and House/Wife, Netflix cancels the two films
In recent weeks Netflix has found itself at the center of a heated discussion after canceling several original products. At the center of the fray now also two films. The Inheritancedirected by Alejandro Brugues, was stopped in post-production. In the cast involved Rachel Nichols, Peyton List, Austin Stromwell And Bob Gunton. Joe Russo and Chris LaMont are set to write. The plot tells of the billionaire Charles Abernathy ready to celebrate his 75th birthday. But, before even blowing out the birthday candles, the man invites his four children over because he fears someone will soon kill him. Considering the troubled relationship with his offspring and to obtain their protection, he brings into play a mechanism of power: if he is killed by dawn, his children will not receive his inheritance and therefore will lose everything.
House/Wife instead it is directed by Danis Goulet and tells the story of a mother recovering from a brutal accident who decides to move with her family into a smart home prototype. But the stay of peaceful and quiet has very little. The woman discovers that the artificial intelligence that controls the house has bad intentions. Anna Halberg and Spenser Cohen appear as screenwriters. The cast, on the other hand, is made up of Alice Braga , Kris Holden-Ried And Sarah Gadon. It therefore seems that neither of the two films will ever see the light of day at Netflix, but nothing is lost yet: both are looking for a new streaming home. Who could save them from oblivion?
